Raleigh Couple Rescues Midcentury Modern Gem from Certain Demolition: Matsumoto House Will Be Moved Saturday, January 20, 2024

606 Transylvania Avenue, Raleigh, designed by NCSU professor and modernist master architect George Matsumoto. (Photo courtesy NCModernist.org)

PRESS RELEASE — The 1954 Midcentury Modern house at 606 Transylvania Avenue, Raleigh, designed by internationally renowned architect George Matsumoto for Bill and Betty Weber and once threatened with demolition, will begin its seven-mile journey to a new location on Saturday, January 20at 6 a.m.  

The destination: an empty lot on Delmont Street immediately next door to the Modern home of the Raleigh couple saving this architectural gem from demolition — Melinda and Andrew Knowles.

With a police escort yet several points along the route where power lines must be moved, the journey should take about three hours. The polemics surrounding the house have been churning for four months.

In September 2023, the Raleigh News & Observer reported that the people who purchased the property at 606 Transylvania Avenue for $1.8 million did so strictly for the land. They intended to raze the Matsumoto house and replace it with a much larger house. And the City approved the application for a demolition permit. 

When the Knowles learned that the house was in imminent danger, they decided to approach the new property owner with a proposal: Instead of devoting the time and expense necessary to raze the house, why not let them move it onto the vacant lot beside their own home on Delmont Street? The Transylvania Avenue owners ultimately agreed.

According to George Smart, Executive Director of NCModernist and the Knowles’ consultant, the owners deeded the house to the Knowles with minimal fees. Then the Raleigh City Council approved a $250,000 loan for the Knowles to cover the expense of relocating the house. (The money comes from the Preservation Revolving Loan Fund the City established for this purpose.)

Exceptional from Inception

When the late Henry Kamphoefner became founding dean of North Carolina State University’s School (now College) of Design in Raleigh in 1948, he immediately began populating his faculty roster with architectural luminaries who would help him bring modernist design to the South. He encouraged them to build as well as teach — specifically, to design and build modernist houses throughout the area. 

One of the stars of his elite faculty was the Japanese/American Modernist master George Matsumoto (1922-2016), who would receive over 30 design awards for residential projects during his 1948-1961 tenure at NC State. In 1956, the School of Design named the north wing addition to Brooks Hall, the “Matsumoto Wing.”

Matsumoto designed 606 Transylvania in 1954 both for and with his colleague, architect/homeowner Bill Weber. Shortly after completion, Architectural Record, the preeminent architecture design journal, gave the Raleigh house a five-page spread. 

NCModernist’s prestigious design awards program for Modernist houses in North Carolina — the  Matsumoto Prize — honors the man and the role he played in shaping Modernist architecture in the state.

For more information on George Matsumoto and his work, click here and here.

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Melinda and Andrew Knowles, and George Smart, will be available on moving day, January 20, for interviews.

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Media Contact | Homeowner Liaison

George Smart, HAIA

Executive Director, NCModernist

ncmodernist.org

919.740.8407

george@ncmodernist.org

EVENT: T4A @ L&P!

Network, Nosh, and Sample Locally Crafted Spirits in Downtown Durham Distillery

Liberty & Plenty Distillery and Cocktail Bar | Photos © Tray Thomas.

On Wednesday, November 15, from 5 – 7 p.m., pod architecture + design (pod a+d) partners Doug Pierson, AIA, and Youn Choi, along with owner/master distiller Tina Williford, will co-host a “Thirst4Architecture” social event in Williford’s Liberty & Plenty Distillery & Cocktail Bar at 609 B Foster Street in downtown Durham.

Thirst4Architecture (T4A) “happy hours” are sponsored by NCModernist, the non-profit organization dedicated to preserving and promoting modernist architecture. Hosted by architecture firms and other businesses in the industry, these networking events are free and open to all modernist design enthusiasts in the Triangle, from homeowners, artists and architects to contractors, realtors, interior designers, et al.

Large, roll-up doors invite breezes inside from the Liberty & Plenty porch.

Williford founded Liberty & Plenty in March 2020 as a 100 percent woman-owned craft distillery. During the November 15th event, guests will be able to sample a selection of her unique, small-batch spirits, including vodkas, gins, rums, and whiskies. She will also provide h’ordeuvres and non-alcoholic beverages.

Along with introducing the distillery to T4A participants, the event will spotlight the architectural transformation of a 3400-square-foot, industrial brick warehouse built in 1930 into a fully operational craft spirits distillery fronted by a modern, casually chic Cocktail Bar. To create this conversion, Williford collaborated with pod architecture + design, the Chapel Hill-based firm with award-winning expertise in modern craft distillery and brewery design and one of Blueplate PR‘s exclusive clients.

Doug Pierson, Youn Choi, and Tina Williford will be on hand, happy to discuss the process of bringing Liberty & Plenty to life in downtown Durham.

Transnational Couple’s Net-Zero “Dream Home” to be Featured on Fall 2023 Modapalooza Tour

THE REDDY-YU RESIDENCE NEARING COMPLETION. 
A LARGE SCREENED PORCH EXTENDS THE LIVING SPACE INTO THE OUTDOORS.

When transnational couple Satish Reddy (India) and Ping Yu (China) decided to relocate from California and Texas to Chapel Hill, NC, they dreamed of building their own custom-designed, net zero house to reduce their new home’s carbon footprint and environmental impact. To make this dream come true, they turned to Arielle Condoret Schechter, AIA, the award-winning, Chapel Hill-based architect whose residential design portfolio is defined by modern, net zero/net positive passive homes.

On Saturday, September 9, the recently completed Reddy-Yu Residence will be featured on the Fall 2023 Modapalooza Tour, the annual fall tour of modernist houses throughout the Triangle region organized by NCModernist, a North Carolina 501C3 nonprofit educational archive for the documentation, preservation, and promotion of Modernist houses from the mid-20th century to today.

THE REDDY-YU RESIDENCE, MAIN ENTRANCE, TWO-CAR GARAGE

Passive & Active Strategies: Like all of Schechter’s custom-designed net-zero houses, Reddy-Yu’s design is dependent upon various “passive” strategies, most notably a tight, leak-free building envelope, the barrier between indoors and outdoors encompassing the walls, windows, doors, and roof. Continuous high R-value insulation and triple-glazed, passive-house-suitable windows and exterior doors are vital elements of any net zero house, including this one.

The high-performance exterior walls are clad in gray fiber cement panels with wood accents providing warm visual and textural contrast.

A solar array on the butterfly roof and backup batteries in the garage supply the “active” technology needed to produce all the energy required to meet net zero status — to produce as much energy as the house uses.

Water conservation: Schechter also designed the house to collect rainwater for irrigating vegetable gardens the homeowners plan to install later this year.

Aromatic Kitchen Culture: “Satish and Ping are both gourmet cooks, so the kitchen is a room of great importance to them,” Schechter noted. “Their kitchen will produce multiple cuisines: Chinese, Indian, and more.”

Because the two often cook fragrant foods at very high temperatures, their architect needed to find a way to isolate the cooking aromas from the rest of the house.  To that end, she made sure the kitchen could be completely closed off when necessary.  

Passages: An abundance of windows and sliding glass doors provide a strong connectivity to the outdoors.  On the northern elevation, a screened porch and deck structure, under the protection of a broad roof, extends the living space into the backyard.

Between the public spaces that Satish and Ping share with family and friends and the primary bedroom suite is a small “bridge” that provides a clear transition to their private “quiet zone.”

Arielle Schechter will be in the Reddy-Yu residence during the tour to speak with participants and answer any questions. For more information on the architect and her work, CLICK HERE

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According to George Smart, founder and CEO of NCModernist/USModernist, the 2023 Fall Modapalooza Tour is sold out. However, a waiting list is available by clicking HERE. For more information on the Tour, including photos of all seven houses included, CLICK HERE.

Save the Date: “Hillside House” will be open for public touring Saturday, November 13

The rear view shows “Hillside House” climbing up the natural hill on site.

On Saturday, November 13, NCModernist.org will present a public “Trickle Tour” of Hillside House at 130 Old Pittsboro Road, Carrboro. Specific time slots and ticket information will be announced later.

NCModernist (aka NC Modernist Houses) hosts several tours of modern house each year. Executive director George Smart created the “Trickle Tour” format in response to the COVID-19 pandemic. The format allows the public to visit new or newly remodeled modernist houses at a “trickle” of the normal rate for the nonprofit organization’s home tours. Timed admission assures that very few people are inside a house during each time slot.

Doug Pierson, AIA, and Youn Choi, founding partners and principal designers at pod architecture + design in Chapel Hill, created Hillside House for their own family of four on a wooded lot within walking distance of downtown Carrboro.

In April 2020, the house caught the attention of the Wall Street Journal. A few months later, Chapel Hill Magazine featured it in an article entitled “Labor of Love.” It has also been published in Builder Magazine, Architizer, and in Dwell and Architect magazines’ galleries of residential projects.

This will be the first public tour of the angular house on Old Pittsboro Road that’s wrapped in corrugated black metal and appears to be twisting and turning its way up a steep hillside.

To see more exterior and interior photos, go to the “Hillside House”  page on Pierson’s and Choi’s website: podand.com/work#/carrboro-house.

Pictured Above: Doug and Sora on the first “living” level. Above them: Oscar at the cantilevered desk in the middle “work” level. Above right: Youn on the bedroom, or “sleep” level. (Photo by Cornel Watson for Chapel Hill Magazine.

The Branch Museum of Architecture & Design Hosts Lecture, Sketching Workshop with Celebrated Architect Frank Harmon

 The ‘Native Places’ author will be in Richmond Nov. 21 – 23.

FH hi-res by f8 Photo Studio FRANK HARMON, FAIA (photo by f8 Photo Studios)

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November 13, 2019 (Richmond, VA) – Frank Harmon wants to transform the way we see and enjoy the world around us. That’s why the multi-award-winning architect from Raleigh, NC, wrote Native Places: Drawing as a Way to See. That’s also why he’ll be in Richmond this month.

On Thursday, November 21, The Branch Museum of Architecture & Design will host a lecture and book-signing event with Harmon from 5:30-7:30 pm. Then on Saturday, November 23, Harmon will lead an Urban Sketching Workshop around the Museum’s vicinity on Monument Avenue from 10 am-1 pm. Both events are open to the public.

cover art_sm

 

Native Places: Drawing as a Way to See is a collection of 64 of Harmon’s watercolor sketches – of buildings, landscapes and cityscapes, everyday objects and ordinary places — paired with 200-word essays. The pairs first appeared in his popular online journal NativePlaces.org. The sketches, some over 30 years old, convey the delight he finds in each subject. The brief essays offer his fresh perspectives on topics inspired by those sketches, especially places and things that we take for granted.

For Frank Harmon, sketching has always been an element of his education and his practice. He has made sketches “as a way to see” since his university days at the Architectural Association in London. Since then, he has kept a sketch pad, pens, and a pocket-sized water-color set in a small bag wherever he’s gone, from fields along rural highways where he spots old barns and sheds to urban centers and lush gardens throughout Europe.

“Usually I sketch something I’m curious about,” he notes.

As an architect and a professor of architecture at North Carolina State University’s College of Design, Harmon has conducted Urban Sketching Workshops for the American Institute of Architect’s National Conventions; for various AIA chapters and sections across the nation; and at Auburn University’s renowned Rural Studio in Hale County, Alabama. He began combining sketching workshops with book-signing events soon after ORO Editions published Native Places: Drawing as a Way to See.

In his workshops, Harmon helps participants learn to look more closely at the particulars of a place and the nuances of objects, then express both through sketching.

Ticket options for Frank Harmon’s lecture and Urban Sketching Workshop are available at branchmuseum.org. Click on “events.”

For more information on Native Places: Drawing as a Way to See, visit nativeplacesthebook.com and follow the book on Facebook.

The Branch Museum of Architecture & Design is located in the historic 1919 Branch House at 2501 Monument Ave., Richmond, VA 23220 (804-655-6055).

AIA Austin Welcomes Architect/Author Frank Harmon, FAIA, and His New Book “Native Places: Drawing as a Way to See”

Frank Harmon, Native Places
Frank Harmon, FAIA. (photo by William Morgan)

Frank Harmon, FAIA, (right) a multi-award-winning architect from Raleigh, North Carolina, and the author of the critically acclaimed book Native Places: Drawing as a Way to See, will be in Austin Tuesday, November 12, from 11:30 a.m. to 1 p.m. for a lecture and book-signing event hosted by the Austin chapter of the American Institute of Architects (AIA Austin).

As the architect of the modern, thoroughly sustainable AIA NC Center for Architecture & Design building in Raleigh, he will also address AIA Austin’s plans for a similar structure.

Frank Harmon’s appearance is part of AIA Austin’s “Design Talks” Luncheon Series held in the Lake | Flato-designed Austin Central Library.

“AIA Austin is thrilled to welcome an architecture and drawing master like Frank to Austin,” said Ingrid Spencer, Executive Director of AIA Austin and the Austin Foundation for Architecture. “Because Frank designed the only ground-up Center for Architecture in the country, and we’re striving to create such a place in Austin, we are extra excited for his visit.”

After a brief AIA Austin Annual Meeting, architect and professor Lawrence Speck will introduce Harmon, who will then discuss and read excerpts from Native Places and share his reasons for writing it. One of those reasons is his lifelong belief that drawing offers the opportunity “to transform the way we see” the world around us.

“Sketching allows us to see what we might not have noticed,” Harmon says. “It allows us to be present.”

Frank Harmon book

Published by ORO Editions, Native Places: Drawing as a Way to See is a collection of 64 of Harmon’s watercolor sketches paired with brief essays he’s written about architecture, nature, everyday objects, and ordinary places. The pairs first appeared in his popular online journal NativePlaces.org.

The sketches in Native Places, some of which are 30 years old, convey the delight the architect finds in these places and things. The short essays, inspired by the sketches, offer his fresh interpretations of what most people take for granted.

Seattle architect Tom Kundig, FAIA, calls Harmon’s book “a masterful legacy on all levels.” Architect Marlon Blackwell, FAIA, of Fayetteville, Arkansas, offers this:

Native Places provides a reflective pause in my busy day to consider the humanity of buildings and places. I find my sense of hope and possibility renewed in these simple, evocative drawings and the wisdom that accompanies them.”

BookPeople, the leading independent bookstore in Texas since 1970, will make copies of Native Places available for purchase so attendees can get them signed by the author.

Advance tickets for the November 12 “Design Talks” event are $30 for AIA and Allied AIA members, $15 for Associate members and students, and $40 for non-members. Tickets purchased at the door November 12 will be $40 for AIA and Allied AIA members and $20 for Associate members and students. To register and secure advanced tickets click here.

Austin Central Library is located at 710 West Cesar Chevez Street, Austin, TX 78701 (512-452-4332). For more information on the November 12 event and AIA Austin, visit aiaaustin.org.

For more information on Frank Harmon and Native Places: Drawing as a Way to See, visit nativeplacesthebook.com.

 

Cameron Art Museum in Wilmington Presents ‘Native Places’ Illustrated Lecture and Sketching Workshop

Native Places by Frank Harmon
Cameron Art Museum

Cameron Art Museum (CAM) in Wilmington will host a reception and book signing event for celebrated architect/author Frank Harmon when he shares his new book Native Places: Drawing as a Way to See during an illustrated lecture on Thursday, October 24th, 6:30 – 8 p.m. Harmon will then lead an Urban Sketching Workshop in downtown Wilmington on Saturday morning, October. 26th, from 9 am – noon.

A Fellow of the American Institute of Architects and a professor of architecture at NC State University’s College of Design, Frank Harmon lead his multi-award-winning firm in Raleigh for over three decades.

Five years ago he launched NativePlaces.org, an online journal that paired watercolor sketches he’s made over those decades – of buildings and nature, landscapes and cityscapes, everyday objects and ordinary places — with fresh 200-word essays that convey the delight he finds in each subject. The essays never repeat what’s visible in the sketches. Instead, they elucidate ideas and thoughts inspired by those images.

cover art_sm

Published by ORO Editions, Native Places: Drawing as a Way to See, is a collection of 64 sketch-essay pairings that Charles D. Linn, FAIA, former deputy editor of Architectural Record, helped Harmon cull from the online journal and organize into a book.

During his illustrated lecture at CAM, Harmon will share excerpts from Native Places and examples of his own architectural work to illustrate his belief that sketching “as a way to see” enhances the grace with which we observe and appreciate all sorts of “native places.”

“If I take a photograph of something, I’ll soon forget it,” he adds. “But if I draw something, it remains in my mind forever.”

After his presentation, Harmon will take questions from the audience then sign copies of his book, which will be available for purchase at CAM.

Then on Saturday, October 26th, the author will lead an Urban Sketching Workshop in downtown Wilmington. Through the workshop, he will share his belief that drawing in the digital age is far from obsolete. Rather, “it is transformative in the way we observe and interact with the world around us.” Participants should bring their own sketchpads and pencils.

Tickets to the lecture are $12 for CAM members, $17 for non-members, and $8 for students with valid IDs. Those registered for the Saturday workshop will be admitted to the lecture free of charge.

Cameron Art Museum is located at 3201 South 17th Street, Wilmington, NC 28412. For more information, including how to purchase tickets, visit cameronartmuseum.org.

For more information on Frank Harmon and Native Places: Drawing as a Way to See, visit nativeplacesthebook.com.

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Frank Harmon sketching. Photo by Christine Simeloff

About Frank Harmon, FAIA

A Greensboro native and Raleigh resident, Frank Harmon has designed sustainable modern buildings across the Southeast for 30 years that are specific to their sites and use materials, such as hurricane-felled cypress and rock from local quarries, to connect them to their landscapes. Airy breezeways, outdoor living spaces, deep overhangs, and wide lawns embody the vernacular legacy of the South while maintaining a distinguished modernism. To see examples of his work, visit frankharmon.com.

Harmon is a graduate of the Architectural Association in London and a popular professor of architecture at the North Carolina State University College of Design. He has taught at the Architectural Association and has been a visiting critic at Harvard University, Yale University, and the University of Virginia. He continues to serve as a visiting critic at Auburn University’s renowned Rural Studio.

 

Charleston’s Blue Bicycle Books Hosts Architect/Author Frank Harmon and ‘Native Places” on January 17th

Architect and author Frank Harmon, FAIA, who designed the modern, award-winning Sunday School addition to the historic Circular Congregational Church in Charleston and the “Seven Sisters” residence on St. Helena Island, will present his new, critically acclaimed book  Native Places: Drawing as a Way to See when Blue Bicycle Books hosts a book-signing event on Thursday, January 17, beginning at 5 p.m.

Free and open to the public, the event will begin with an introduction of the Raleigh, NC-based author by South Carolina architect Whitney Powers. Harmon will then give a presentation about his book and his passion for hand sketching. After a Q&A with the audience, he will sign copies of Native Places, which will be available for purchase in the bookstore.

Frank Harmon bookDelight in Ordinary Places:  Published by ORO Editions, Native Places: Drawing as a Way to See is a collection of 64 of Harmon’s watercolor sketches paired with brief essays he’s written about architecture, everyday objects and sites, and nature that first appeared on his internationally popular blog NativePlaces.org. The sketches convey the delight he finds in ordinary places. The short essays, inspired by the sketches, offer his fresh interpretations of what most people take for granted.

Harmon’s goal for Native Places is, in fact, “to transform the way we see,” he says, and to promote his belief that hand drawing offers “an opportunity to develop a natural grace in the way we view the world and take part in it.” He will explain both concepts in his presentation.

What others are saying about Native Places: In his review of the book, Charles Linn, FAIA, architect, writer, former deputy editor of Architectural Record, wrote, “For those who love drawing, seek enlightenment and inspiration from the things they may pass by every day, and perhaps want to capture them in their own sketchbooks, I give Native Places my highest recommendation.” (Linn also helped Harmon select and organize the sketch-essay pairs for the book.)

Mike Welton, the architecture critic for the Raleigh News & Observer, calls Harmon’s book “delightful” and suggests that it is “destined to change how we see this world.”

Tom Kundig, FAIA, of Olsen Kundig Architects in Seattle, WA, praises Harmon and his book for “reminding us in brilliant, thoughtful, quiet meditation our unbelievable luck to be alive and to think. A masterful legacy on all levels.”

Owned and operated by Jonathan Sanchez, Blue Bicycle Books is located at 420 King Street, Charleston, SC 29403 (843.722.2666); bluebicyclebooks.com.

For more details on Frank Harmon and Native Places: Drawing as a Way to See, visit the book’s website (nativeplacesthebook.com) and Facebook page.

Edisto Art Guild to Host Architect/Author Frank Harmon and ‘Native Places: Drawing as a Way to See’

Frank Harmon at Edisto Art GuildArchitect and author Frank Harmon, FAIA, who designed the modern, award-winning Sunday School addition to the historic Circular Congregational Church in Charleston and the “Seven Sisters” residence on St. Helena Island, will present his new, critically acclaimed book  Native Places: Drawing as a Way to See when the Edisto Art Guild hosts a book-signing event on Monday, January 14, in the Edisto Beach Civic Center.

Free and open to the public, the Art Guild’s event will begin at 6:30 pm when South Carolina architect Lloyd Bray introduces the Raleigh, NC-based author. Harmon will then give a presentation about his book and his passion for hand sketching. After a Q&A with the audience, he will sign copies of Native Places, which will be available for purchase in the civic center.

Frank Harmon by William Morgan

Delight in Ordinary Places:  Published by ORO Editions, Native Places: Drawing as a Way to See is a collection of 64 of Harmon’s watercolor sketches paired with brief essays he’s written about architecture, everyday objects and sites, and nature that first appeared on his internationally popular blog NativePlaces.org. The sketches convey the delight he finds in ordinary places. The short essays, inspired by the sketches, offer his fresh interpretations of what most people take for granted.

Harmon’s goal for Native Places is, in fact, “to transform the way we see,” he says, and to promote his belief that hand drawing offers “an opportunity to develop a natural grace in the way we view the world and take part in it.” He will explain both concepts in his presentation.

What others are saying about Native Places: In a letter to the author, Fred Chappell, poet, author, and former North Carolina poet laureate, wrote, “Native Places…has afforded me happy pleasures, different from any that I have before derived from a book. It is unusual in many ways, one of which is that it defies strict classification. It is a sketchbook, a memoir, travel journal, aesthetic experiment, a collection of small familiar essays, and maybe in some respects even a manifesto.”

Mike Welton, architecture critic for the Raleigh News & Observer, calls Harmon’s book “delightful” and suggests that it is “destined to change how we see this world.”

Tom Kundig, FAIA, of Olsen Kundig Architects in Seattle, WA, praises Harmon and his book for “reminding us in brilliant, thoughtful, quiet meditation our unbelievable luck to be alive and to think. A masterful legacy on all levels.”

The Edisto Beach Civic Center is located at 42 Station Court, Edisto Island, SC. (edistoartguild@gmail.com)

For more details on Frank Harmon and Native Places: Drawing as a Way to See, visit the book’s website (nativeplacesthebook.com) and Facebook page.

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Production Details
Designer: AnLe Bahn
Editor: Charles Linn, FAIA
Publisher: ORO Editions
Binding: Hardbound with Dust Jacket
ISBN: 978-1-940743-45-5
Pages: 168pp published in four colors
Publication Date: October 1, 2018
Size: 7″ x 9″ Landscape
Retail Price: $24.95

So & So Books To Host An Afternoon with Frank Harmon – a book signing event for ‘Native Places: Drawing as Way of Seeing”

Blueplate PR client: Frank Harmon, FAIA, author
FH_sm_by William MorganFRANK HARMON, FAIA (Photo by William Morgan)

 So & So Books, an independent bookstore in downtown Raleigh’s trendy Person Street commercial district, will host a book-signing event for architect/author Frank Harmon, FAIA, and his new book Native Places: Drawing as a Way to See on Saturday, December 1.

Beginning at 5 p.m., Harmon will discuss his book and his passion for hand sketching. After a Q&A with the audience, he will sign copies of Native Places, which will be available for purchase in So & So Books.

Frank Harmon book

Delight in Ordinary Places

Published by ORO Editions, Native Places: Drawing as a Way to See is a collection of 64 of Harmon’s watercolor sketches paired with brief essays he’s written about architecture, everyday objects and sites, and nature. The sketches convey the delight he finds in ordinary places. The short essays, inspired by the sketches, offer his fresh interpretations of what most take for granted.

Harmon’s goal for Native Places is, in fact, “to transform the way we see,” he says, and to promote his belief that hand drawing offers “an opportunity to develop a natural grace in the way we view the world and take part in it.” He will explain both concepts in his presentation.

Bookstore + design studio

So & So Books shares space with in situ studio. One of the studio’s founders, Erin Sterling Lewis, AIA, will introduce the author at the event. Sterling Lewis worked with Harmon in his multi-award-winning architecture firm for several years before he retired. She considers him her “greatest mentor,” she said recently, and “remains grateful every day for the opportunities he afforded me during my time at Frank Harmon Architect.”

Praise for Native Places

In her review of Native Places: Drawing as a Way to See,, author and entomologist Eleanor Spicer Rice, PhD., wrote, “Like a child picking up fistfuls of seemingly commonplace stones, Harmon gathers places in all their forms and meanings and thoughtfully lays them in his book, where the ordinary becomes extraordinary and everyday life takes on a new texture and meaning.”

In a letter to Harmon, Fred Chappell, former North Carolina Poet Laureate, offered, “Native Places…has afforded me happy pleasures, different from any that I have before derived from a book.”

Mike Welton, architecture critic for the News & Observer, called Harmon’s book “delightful” and suggested that it is “destined to change how we see this world.”

So & So Books is located at 704 North Person Street, Raleigh 27604 (919-426-9502). For more information, visit the store’s Facebook page.

For more details on Frank Harmon and Native Places: Drawing as a Way to See, visit the book’s website: http://nativeplacesthebook.com.